參與學者簡介

Akshay Bhambri is an ICS-HYI Doctoral Fellow and an affiliate of the Science, Technology and Society (STS) Program at the Harvard Kennedy School. His research spans the politics of knowledge, traditional medicine, and science and society. He has conducted rigorous fieldwork in Punjab and Uttar Pradesh, with a special focus on water, rural sanitation, and hygiene. He also led a major report on the State of Water in India, contributing to both scholarly research and policy engagement.

Akshay Bhambri 是 ICS-HYI 博士獎學金獲得者，亦為哈佛甘迺迪學院（Harvard Kennedy School）科學、技術與社會（STS）計劃的成員。他的研究涵蓋知識政治、傳統醫學與科技與社會的關係。他曾在旁遮普邦和北方邦進行深入的田野調查，重點關注水資源、鄉村衛生與公共衛生等議題。他亦主導撰寫了《印度水資源狀況報告》，在學術研究與政策實踐方面均有重要貢獻。

Yu Yi-Te is a Research Assistant at National Pingtung University, Taiwan. He holds a bachelor’s degree in Soil and Water Conservation and a master’s degree in social Transforming Studies. He has previously studied ethnic identity politics and Indigenous status systems, focusing on the legal frameworks and socio-political dynamics that shape Indigenous identity. His current research explores the conflicts between state governance and Indigenous land use practices, and the promotion of Indigenous knowledge-centered disaster risk reduction education in Indigenous schools.

余奕德，現為國立屏東大學的專任助理，國立中興大學水土保持學士、世新大學社會發展研究所碩士。過去的研究聚焦於原住民族身份政治與原住民族身份制度，探討法律框架與社會政治動態如何形塑原住民族身份。目前的研究則關注國家的山坡地治理與原住民族土地利用實踐之間的衝突，同時與多所原住民族學校推動以原住民族知識為核心的防災減災教育。共同著有《沒有名字的人：平埔原住民族青年生命故事紀實》。

Wu Chi-Yu (b. 1986, Taipei) is an artist based in Taipei. Working primarily with moving images and video installations, Wu’s practice investigates overlooked or disrupted connections among species, environments, and the technologies that shape human civilization. Through layered narratives, he explores Asia’s historical geographies and the interdependencies between humans and nonhumans.

Wu Chi-Yu’s works have been exhibited at TKG+, Taipei (2023), Times Museum, Guangzhou (2021), Museum of Contemporary Art, Taipei (2020), Shanghai Biennale, Shanghai (2018), Taipei Biennial (2016), EXiS, Seoul (2019), and Arkipel, Jakarta (2019). He received a Jury Special Mention at the Beijing International Short Film Festival, Beijing (2017). He was a resident at the Rijksakademie van beeldende kunsten in Amsterdam (2014–2015). Wu is a member of the Taiwanese artist collective Fuxinghen Studio and co-founder of Pailang Museum, a project that explores decolonial approaches to moving images.

吳其育（1986，台北）藝術家，現居住並工作於台北。 吳其育擅長透過影像與影像空間裝置進行創作，主要關注建構人類文明的技術物與物種、事物、環境所遺失且未能建立的連結，透過多重敘事的影像裝置表現亞洲複雜的地緣歷史，以及人類群體與非人群體間的依存關係。

吳其育的作品曾於國際性的藝術機構與影展展出，包括：TKG+（2023，台北）、時代美術館（2021，廣州）、台北當代藝術館（2020，台北）、台灣美術雙年展（2018，台中）、2018上海雙年展、2016台北雙年展、EXiS影展（2019，首爾）、Arkipel影展（2019，雅加達）。他曾於2014至2015年間進駐荷蘭皇家藝術村（Rijksakademie）。此外，並於2017年獲得北京國際短片聯展（BISFF）華語競賽單元評審團特別獎。他是臺灣藝術團體「復興漢工作室」的成員，同時也共同發起「白浪博物館」計畫，專注於去殖民的影像研究。

Kuang-Yi Ku lives and works both in Taiwan and the Netherlands. He is an assistant professor at the Institute of Applied Arts in NYCU, Taiwan, and is doing his PhD research at Sheffield Hallam University, UK. The research topic is the interdisciplinary practice between art, design, and bioscience. He has graduated with triple master’s degrees in social design from Design Academy Eindhoven, dentistry from National Yang-Ming University, and communication design from Shih Chien University. He is a former dentist, bio-artist, and speculative designer. He also co-founded TW BioArt (Taiwan bio art community) to stimulate the fields of BioArt and Science+Art in Taiwan. His works often deal with the human body, sexuality, interspecies interaction, and medical technology, aiming to investigate the relationships among technology, individuals and the environment.

Kuang-Yi Ku won Bio Art & Design Award in 2022 and Core77 Speculative Design Award in 2023 for the project “Atlas of Queer Anatomy”. His “Tiger Penis Project” has been awarded Gijs Bakker Award 2018, the annual prize for the best project by a graduating master’s student in Design Academy Eindhoven. He also won the 1st prize in the Taipei Digital Art Awards in 2015 with “The Fellatio Modification Project”, where he involves body modification, gender studies, queer theories, and dentistry all together. His works were featured in international media such as New Scientist, The Huffington Post, Elephant Magazine, DAMN° Magazine, Dezeen, Designboom, VICE, Dazed Digital, Daily Mail, New York Post, and so on.

顧廣毅現居並工作於台灣與荷蘭兩地。他是陽明交通大學應用藝術研究所的助理教授，同時也兼職任教於荷蘭恩荷芬設計學院（Design Academy Eindhoven）社會設計碩士學程，並於英國雪菲爾哈蘭大學（Sheffield Hallam University）攻讀博士學位。他擁有三個碩士學位，分別為：恩荷芬設計學院的社會設計碩士、國立陽明大學的牙醫學碩士，以及實踐大學的媒體傳達設計碩士。顧廣毅原為牙醫師，現為生物藝術家與推測設計師。他共同創立了TW BioArt 台灣生物藝術社群，致力於推動台灣的生物藝術及科學與藝術的跨域實踐。他的創作多聚焦於人類身體、性/性別、跨物種之間的互動，以及醫療科技，旨在探討科技、個體與環境之間的關係。顧廣毅曾獲多項國內外藝術與設計獎項，包括荷蘭的生物藝術與設計獎（Bio Art & Design Award）、奧地利林茲電子藝術獎（Prix Ars Electronica）的榮譽提名（Honorary Mention）、台北數位藝術獎，以及美國 Core77 推測設計獎等。

Hsin-Hui Lin is a science fiction writer and literary researcher based in Taipei, Taiwan. She is a Ph.D. in Taiwanese literature at the National Chengchi University and was a Visiting Graduate Researcher at the University of California, Los Angeles (2022-2023). She is the author of the sci-fi novel Contactless Intimacy (2023), with an Italian translation, Intimità senza contatto, published in 2025. Her debut book, Human Glitches (2020), won the 2020 Taiwan Literature Award for Books, one of the local major literary prizes. Her works explore the blurring boundaries between humans and non-humans in the contemporary technological era. She frequently publishes reviews and essays on major media outlets, examining the intersections of literary, visual art, and technology. Her personal website: https://linktr.ee/hsinhuilin

林新惠政治大學台灣文學研究所博士，2022-2023加州大學洛杉磯分校訪問學人。著有長篇科幻小說《零觸碰親密》（2023），短篇小說集《瑕疵人型》（2020），前者已出版義大利版、後者獲2020年台灣文學金典獎、蓓蕾獎。文學作品探討人與非人在科技時代下曖昧難分的關係。作品、訪談及評論散見各大媒體，並關注文學作品與科技人文、生態人文與醫療人文的交織。作品與聯繫：https://linktr.ee/hsinhuilin

Lee Tzu Tung is a Taiwanese conceptual artist and curator. Growing up amid Taiwan’s multifaceted generational identity struggles, they question: “How do marginalized communities ‘queer-up’ contemporary hegemonies after generational traumas?” Lee employs open-source principles, decentralized tools, and participatory practices, inviting audiences to become co-creators and reflect within their art projects. is a Taiwanese conceptual artist and curator. Growing up amid Taiwan’s multifaceted generational identity struggles, they question: “How do marginalized communities ‘queer-up’ contemporary hegemonies after generational traumas?” Lee employs open-source principles, decentralized tools, and participatory practices, inviting audiences to become co-creators and reflect within their art projects.

Lee holds an MS from the Massachusetts Institute of Technology (MIT) and an MFA from the School of the Art Institute of Chicago (SAIC). Their work has been exhibited internationally, including at the Taipei Fine Art Museum(TW), MIT Museum (US), Skövde Museum(SE), Asymmetry Foundation (UK), Philosopher’s Stone Gallery (KR), Lisbon University (PT), ArtScape (CA), Transmediale (DE), , Hyundai Studio (CN), and , among others.

李紫彤是一位來自臺灣的觀念藝術家與策展人。成長於臺灣多元且交錯的世代認同掙扎中，他質疑：「在世代創傷之後，邊緣社群如何『酷兒化』當代霸權？」並運用開源開放、去中心化科技及參與式計畫，邀請觀眾成為共同創作者，在藝術計畫中一同反思與賦權。

李紫彤擁有麻省理工學院（MIT）科技碩士學位與芝加哥藝術學院（SAIC）藝術碩士學位，並獲得新藝術社群全額獎學金（New Artist Society）以及跨媒體藝術獎學金（Transmediale Fellowship）。他的作品曾於國際展出，包括：國立臺灣美術館、臺北市立美術館（臺灣）、麻省理工學院博物館（美國）、里斯本大學（葡萄牙）、ArtScape（加拿大）、Transmediale（德國）、Philosopher’s Stone Gallery（韓國）、Hyundai Studio（中國）、以及 Asymmetry Foundation（英國）等機構。他也是多個政治與藝術活動的召集人，並創立了科技與藝術合作團體「微米宇宙」和「藝術松」。

Chiara Cigarini is a research fellow at Ca’ Foscari University of Venice and Visiting scholar at Wellesley College. She obtained her Ph.D. in modern and contemporary Chinese literature from Beijing Normal University, with a research project focused on Chinese sf. She is currently a Marie Skłodowska-Curie postdoctoral fellow carrying out the Global Fellowship project “IDRA – Interrelation of Fiction and Policy in Shaping a Sustainable Future”, developed between the Department of Asian and North African Studies of Ca’ Foscari University (Italy),  Wellesley College (USA), and the University of Oslo (Norway).

Chiara Cigarini 是威尼斯卡‧福斯卡里大學的研究員，亦是美國衛斯理學院的訪問學者。她於北京師範大學獲得現代與當代中國文學博士學位，其研究專題聚焦於中國科幻文學。她目前是瑪麗·斯克沃多夫斯卡-居里（Marie Skłodowska-Curie）博士後研究員，正在執行名為「IDRA——虛構與政策在塑造可持續未來中的相互關係」的全球研究項目。該項目由意大利卡‧福斯卡里大學亞洲與北非研究系、美國衛斯理學院，以及挪威奧斯陸大學共同合作開展。

Scientific committee 科學委員會｜Nicoletta Pesaro｜Song Mingwei｜Bodhisattva Chattopadhyay｜Daniele Brombal｜Chiara Cigarini

策劃｜Chiara Cigarini

海報設計｜CC；海報照片：鄭無邊

主辦機構｜Ca’ Foscari University of Venice｜Wellesley College

共同主辦｜The European Union

主辦地點｜STUPIN橋頭工作室